Auckland Art Gallery facade

Arts organisations and venues will become more accessible this year, thanks to eleven grants provided by Creative New Zealand for projects ranging from sign language interpretations and audio described performances to music workshops and concerts for disabled children and young adults, and improved physical access.   Totalling $30,000, the one-off grants are being administered by Arts Access Aotearoa through its Arts For All Programme, a partnership programme with Creative New Zealand. The aim of this programme is to work with representatives from the disability sector to support arts organisations, venues and producers to improve their access.

Stephen Wainwright, Chief Executive, Creative New Zealand said the one-off grants signal the organisation’s commitment to supporting improved access to arts events for all New Zealanders. They complement the publication Arts for All: opening doors to disabled people and the annual Big ‘A’ Creative New Zealand Arts for All Award.  “It’s great to see the range of projects and the organisations’ enthusiasm to build new audiences by making performances, facilities and information more accessible to disabled people,” he said. “I look forward to seeing the long-term impact of this investment and of Arts Access Aotearoa’s Arts for All Programme.”

Richard Benge, Executive Director, Arts Access Aotearoa said the one-off grants build on the work being done through the Arts For All Programme. They have also prompted valuable discussions with the organisations.  “I am very pleased to see the level of commitment and creative ideas coming from the arts community to improve access for everyone wanting to engage in the arts,” he said.

The eleven grant recipients will also contribute their own funding to their projects.

The grants will go to

• Auckland Art Gallery Toi o Tāmaki to increase access to its programmes, provide disability awareness training for staff, and provide a series of signed talks about works in its collection in 2012

• Auckland Theatre Company to install ramps in its premises and make its website more accessible to people with a visual impairment

• Capital E National Theatre for Children to provide signed performances of three different works in its 2012 programme

• Chamber Music New Zealand to present a workshop and concert in the Wellington Town Hall for disabled children and young adults so they can experience live music up close, and interact with musicians and their instruments

• Fortune Theatre, Dunedin to establish best practice methodologies for audio-described performances and present six audio-described performances in 2012

• New Zealand Symphony Orchestra to increase the number of its performances to students in special needs schools in Auckland

• Pablos Art Studios, Wellington to provide staff training for its tutors, enhancing their engagement with those studio’s artists who have visual, hearing or communication impairments

• Q Theatre, Auckland to develop an accessibility policy and action plan, promote its access to a wide audience, and provide disability awareness training for staff, board and management

• Silo Theatre, Auckland to provide signed performances of Tribes by Nina Raine, an award-winning work about the politics of communication for hearing, hearing impaired and Deaf people

• Studio2, Dunedin to display artwork by disabled artists to professional standards in its exhibition space

• Theatre Royal Charitable Trust, Christchurch to contribute to the installation of an accessible lift, catering for disabled patrons, to the upper levels of the Isaac Theatre Royal.

Source: Arts Access Aotearoa

M Shed – which is part of Bristol Museums, Galleries & Archives’ – has recently received a Jodi Mattes Trust Award for Digital Access onsite. Their PenFriend Audio Access project was announced as the winner at a recent presentation held at Swansea’s National Waterfront Museum.   The awards relate to the use of existing technology to widen access to information and collections for disabled people more effectively and creatively. They were first given in the UK in 2003, European Year of Disabled People, and celebrate practice that inspires locally, nationally or  internationally.  The  PenFriends are audio devices that allow visitors to M Shed to listen to stories in the galleries. This is a free service provided to visually impaired visitors and to those who have difficulty reading print.

The M Shed also has induction loops, many of the films and video clips have subtitles, and transcripts of oral histories are available.  There are tactile maps of Bristol and other exhibits that can be handled in many of the galleries.

M Shed, as part of Bristol City Council, is committed to providing a website that’s accessible to the widest possible audience, regardless of technology or ability.  They endeavour to conform to level Double-A of the World Wide Web Consortium (W3C) Web Content Accessibility Guidelines 2.0 by building their site using code compliant with the W3C standard. The technical wording for this is “valid HTML 4.01 Strict for structure and CSS for presentation”.  The site displays correctly in current browsers – though there may be visual differences. Using HTML/CSS standards means any future browsers will also display content correctly.   Whenever possible, links are written to make sense out of context.   The text size on the site is specified in a way that makes it resizable in any browser, should it be too small to read comfortably.  M Shed is keen to hear from people if anything needs changing to make their site more  accessible.

M Shed is fully accessible to wheelchair users, and wheelchairs can be borrowed. There is level access throughout and lifts to all floors. These lifts are designated fire evacuation lifts and have tactile buttons and spoken floor announcements.   There are accessible parking spaces and a drop-off/ pick up point for taxis, accessible toilets, changing facilities, and café.  Visitor Services staff have been trained to meet the needs of all visitors. For further information about accessible facilities contact the museum on 0117 35 26600 or emailinformation@mshed.org

Two new text books on accessible tourism are available through the European Network for Accessible Tourism (ENAT) from Channel View Publications. The first is “Concepts and Issues” (eds: Dimitrios Buhalis and Simon Darcy), which sets out to  explore and document the current theoretical approaches, foundations and issues  in the study of accessible tourism.  Professor Nigel Morgan, The Welsh Centre for Tourism Research states that this volume harnesses “the best conceptual  developments on the topic” and that it will “take accessible tourism and universal design debates into the mainstream of academic enquiryand industry practice“

The second volume is “Best Practice in Accessible Tourism” (eds: Buhalis, Darcy, and Ivor Ambrose).  It focuses on policy and best practice in accessible tourism, reflecting the ”state-of -the-art” as expressed in a selection of international chapters. It brings together global expertise in planning, design and management to inform and stimulate providers of travel, transport, accommodation, leisure and tourism services to serve guests with disabilities, seniors and the wider markets that require good accessibility. Chapter 8, written by Sandra Rhodda of Access Tourism New Zealand, describes the state of accessible tourism in this country.  Overall, the book gives ample evidence that accessible tourism organisations and destinations can expand their target markets as well as improve the quality of their service offering, leading to greater customer satisfaction, loyalty and expansion of business.  Accessible tourism is not only about providing access to people with disabilities but also it addresses the creation of universally designed environments that can support people that may have temporary disabilities, families with young children, the ever increasing ageing population as well as creating a safer environment for employees to work. Noel Scott, of the University of Queensland, Australia says that the volume “provides a ‘state-of-the-art” assessment of both theory and practice. This book establishes a new field of study and provides the benchmark against which other contributions will be judged. It integrates the work of all the key players and should be read by academics, managers and government policy makers.”

A museum of impressive proportions, both in physical exhibition area and in holdings, the Lille Metropole Museum of Modern, Contemporary and Outsider Art (LaM) is also practiced in the art of accessibility.  The museum which displays over 4500 artworks including pieces by Picasso, Miro, and Klee as well as contemporary and outsider art, and has an extraordinary sculpture garden. It closed for renovations in 2006. When it reopened with its new name and its expanded buildings in September 2010, the curators were delighted with a new “high-tech” feature called “Tag My LaM” — a new technology for visitors’ use on their smartphones. The museum project, undertaken with IBM and Urbilog, enables visitors to stroll through the museum’s sculpture park and hear information in the language of their choice about the closest nearby sculpture on their smartphones. For visually impaired visitors, an audio version of the information is also available. Further increasing the usefulness of Tag My LaM to both visitors and curators, it can receive visitors’ real-time feedback.

It makes sense that a museum showcasing modern art would embrace an innovative technology such as Tag My LaM. According to an IDG study, smartphones are taking Europe by storm. The analysts looked at almost 14,000 users in 16 countries (over 11,000 in Europe). The study showed:

• More than two-thirds of respondents said that they have a smartphone for either work or personal use.
• 70% browse the Internet regularly
• A similar percentage use mobile applications.

Kudos to LaM.  Now, if only they would make their website accessible…………..

The Taranaki Daily News reports that New Plymouth art gallery The Govett-Brewster received the Arts Access Aotearoa Big ‘A’ Creative New Zealand Arts For All Award in recognition of its continuing work with disabled people to better understand their needs in relation to art appreciation. The gallery provides:

• audio and touch tours
• large-print exhibition guides for the blind and partially-sighted
• sound enhancer to make audio clearer for the hearing impaired
• sign-language tours with an interpreter for the deaf
• easy access for those who are physically disabled
• disabled-friendly website
• Staff trained in disability awareness
• discussion forums with the disabled community

Gallery Director Rhana Devenport was thrilled with the award but said it was only the beginning.  ”It’s good that they recognise we’re making a sincere and genuine effort, but we know we’ve got a long journey ahead and lots of learning to do, it’s a continuing conversation with the disabled community,” she said.

In awarding the Govett-Brewster, the judges said: ” The Govett-Brewster Art Gallery’s commitment to accessibility is underpinned by the New Plymouth District Council’s Disability Strategy – an example of best practice that gave the Govett-Brewster the edge. This nomination was a fine example of an arts organisation developing its audience by increasing access, and we look forward to seeing the next steps on its journey to accessibility.”  Presenting the award at a ceremony in Parliament, Creative New Zealand Chief Executive Stephen Wainwright said, “engaging New Zealanders in the arts and ensuring they have access to great art experiences is a priority for us. This award sits at the heart of what Creative New Zealand wants to achieve”.  Creative New Zealand id the national arts development agency.

DisabledGo reports that a new website – My Access London -  has been created in anticipation of next years Olympics and Paralympics.  If you want to find out about the disabled access at venues or attractions across the capital this site has information to over 17,000 venues, including major tourist attractions like the London Eye, Westminster Abbey, London Zoo and the O2 Arena. All have been visited and assessed in person.   The site which officially launches at the beginning of June has been entirely funded and developed by DisabledGo, in response to feedback from disabled people and partner London boroughs who wanted to see an access guide totally dedicated to London.

The website offers an unprecedented choice of personally surveyed access guides.  Access Tourism New Zealand commends DisabledGo’s commitment to never publish self-assessed, non-verified information, that is, information provided by for example tourism venue owners such as accommodation providers or attractions unless it has been independently assessed.   As a research project in NZ has found (Rhodda, 2007), only about a third of tourism operators correctly self-assess their access for people with disabilities.

The number of venues featured on www.myaccesslondon.com will significantly increase during 2011 in the build up to next year’s Olympic Games. In July alone, 2,000 additional venues will be added thanks to new partnerships with London boroughs. If you would like more information about www.myaccesslondon.com please contact Rachel Felton, External Relations Manager. E: rachel.felton@disabledgo.com T: 01438 842710

The Annals of Leisure Research is seeking papers for a special issue that examines the inclusion and citizenship of people with disability in “cultural life” (recreation, leisure, the arts, sport, or tourism).  The purpose is to:

a)      clarify what the terms inclusion and citizenship mean in different cultures;

b)      to place inclusion and citizenship to ‘cultural life ‘(recreation, leisure, the arts, sport or tourism) across discourses relating to economic, social and environmental contexts that affect people with disabilities participation; and

c)       to discuss the terms inclusion and citizenship from the ideological frameworks of government, researchers, providers of service or disability advocacy groups.

Submissions are sought from the consumer (demand), providers (supply) and coordination/regulation (government) sector perspectives. The guest editors invite interested researchers to contribute theoretical, methodological or empirical papers related to the theme of this Special Issue. The topics of potential papers include but are not limited to:

• The role of inclusion and citizenship in the construction of ‘cultural life’(recreation, leisure, the arts, sport or tourism) environments and experiences;
• What is the impact of inclusion/exclusion on the person and their experiences?;
• The social and/or cultural construction of inclusion in ‘cultural life’(recreation, leisure, the arts, sport or tourism) activities and experiences;
• The role of inclusion in the construction of cultural, sub cultural and personal identities of different societies;
• The role of inclusion in the construction and/or deconstruction of the intersection with gendered, ethnic and sexual identities within the experience of ‘cultural life’(recreation, leisure, the arts, sport or tourism);
• How experiences of inclusion compare and contrast between different dimensions of disability (e.g. mobility, vision, hearing, cognitive, sensitivities etc.);
• The impact of inclusion and citizenship within space and place making

Important Dates:

• Abstract deadline: 30 June 2011 to Jerome(at)dal.ca
• Notification of acceptance of abstracts deadline: 1 August 2011
• Submission for double-blind reviewing process: 30 November2011
• Review Process Notification: 30 January  2012
• Special issue publication: June or December 2012

For submission guidelines and more, continue reading……………..

Submission Guidelines

1. In the first instance authors are invited to submit a 500 word abstract listen to meet with indicative of references for consideration for the special issue.
2. Electronic submission of the abstract should be sent by e-mail attachment to  Jerome(at)dal.ca
3. Authors will then be selected to complete a full paper based on their abstract for potential publication subject to the full double-blind review process as required by Annals of Leisure Research.
4. Abstracts and papers should be sent as Microsoft Word file attachments using APA sixth edition.
5. Articles will be 5000-6000 words in length including references using APA sixth edition.

All submissions will be anonymously reviewed by two independent assessors.

Co-editors

Simon Darcy PhD                                                  
Associate Professor Events, Sport and Tourism        
UTS Business School – Management                      
University of Technology, Sydney                           
PO Box 123 Broadway NSW 2007

Simon.Darcy (at) uts.edu.au     

Jerome Singleton

Professor Leisure Studies

School of Health and Human Performance

Dalhousie University

1459 Oxford Street , Halifax, N.S.

Jerome (at) dal.ca

 Preamble:

We reside within a global village, approximately 10 per cent of the world’s population or 650 million people(including about 200 million children) are living with some form of disability(United Nations, 2009).  The World Health Organization and the United Nations have recognized that people with disability have a right to access services from all areas of citizenship (Darcy & Taylor, 2009; Genoe & Singleton, 2009). In particular, the United Nations’ Convention on the Rights of People with Disabilities (United Nations, 2006), Article 30 recognises ‘cultural life’ as an important part of any person’s citizenship. As the United Nations’ outline, whether ‘cultural life’ is recreation, leisure, the arts, sport or tourism it is the enriching part of people’s lives where they strive to express themselves away from the everyday reality of their lifestyle situation and other constraints (Barnes, Mercer, & Shakespeare, 1999). As Stebbins (2006) and others have argued, for some individuals and groups of people with disability, ‘cultural life’ (recreation, leisure, the arts, sport or tourism )plays a far more important role as they have been denied active citizenship in employment. Cultural life(recreation, leisure, the arts, sport or tourism )has become the ‘serious’ focus of their existence (Patterson & Lobo, 2000; Shaw & Dawson, 2001; Stebbins, 2000). Yet, a great deal of research has focused on the medicalised benefits of sport and active recreation for people with disability due to lower levels of participation than the general population (e.g. Cooper et al., 1999; Darcy, Taylor, Murphy, & Lock, 2011). While a very important consideration, participation in ‘cultural life’ is more than sport and active recreation for prescribed therapeutic outcomes (Darcy, et al., 2011).

References

Barnes, C., Mercer, G., & Shakespeare, T. (1999). Culture, leisure and the media. In C. Barnes, G. Mercer & T. Shakespeare (Eds.), Exploring disability: a sociological introduction (pp. 182-210). Malden, Mass: Polity Press.

Cooper, R. A., Quatrano, L. A., Axelson, P. W., Harlan, W., Stineman, M., Franklin, B., . . . Chao, E. Y. S. (1999). Research on physical activity and health among people with disabilities: A consensus statement. Journal of rehabilitation research and development, 36(2), 142-154.

Darcy, S., & Taylor, T. (2009). Disability citizenship: An Australian human rights analysis of the cultural industries. Leisure Studies, 28(4), 419-441.

Darcy, S., Taylor, T., Murphy, A., & Lock, D. (2011). Getting Involved in Sport: The Participation and non-participation of people with disability in sport and active recreation. Canberra: Australian Sport Commission.

Genoe, R., & Singleton, J. F. (2009). World Demographics and Their Implications for Therapeutic Recreation. In N. Stumbo (Ed.), Professional Issues in Therapeutic Recreation On Competence and Outcomes. Champaign, Il: Sagamore.

Patterson, I., & Lobo, F. (2000). Developing a meaningful identity for people with disabilities through serious leisure activities. World leisure journal, 42(2), 41-51.

Shaw, S. M., & Dawson, D. (2001). Purposive Leisure: Examining Parental Discourses on Family Activities. Leisure Sciences, 23(4), 217 – 231.

Stebbins, R. A. (2000). Serious leisure for people with disabilities. In A. Sivan & H. Ruskin (Eds.), Leisure education, community development and populations with special needs. (pp. 101-108). Wallingford, UK: CABI Publishing.

Stebbins, R. A. (2006). Serious Leisure: A Perspective for Our Time: Transaction Pub.

United Nations. (2006). Convention on the Rights of Persons with Disabilities. New York http://www.un.org/esa/socdev/enable/rights/convtexte.htm: United Nations General Assembly A/61/611 – 6 December 2006.

United Nations. (2009, 2 June 2009). Enable, from http://www.un.org/disabilities/

Scoop reports that for the first time ever, the New Zealand deaf community will be fully included in Waitangi Day celebrations at Waitangi.   Waitangi Day marks the signing of the Treaty of Waitangi in 1840 between representatives of the British Crown and over 500 Maori chiefs.  This year New Zealand Sign Language Interpreters of both Maori and English will sign during formal speeches at the Treaty Grounds.   The Office for Disability Issues will provide this service as a direct result of lobbying by Whangarei-based Tiaho Trust, a Northland disability-led organisation.  The 2006 New Zealand Census showed that 24,090 people use New Zealand Sign Language (NZSL).  New Zealand Sign Language was formally recognised as the third official language of New Zealand along with English and Maori in 2006 under the New Zealand Sign Language Act.

Sandra Rhodda of Access Tourism New Zealand gave an invited presentation at the Third International Congress of Accessible Tourism for All in Valladolid Spain in November.  She spoke about people with disabilities, access tourism, and arts and culture in New Zealand.   The congress – held over three days – was attended by more than 300 people from Europe, the U.K., Asia, and the Americas, and comprised a number of presentations and concurrent workshops on progress and business initiatives in developing Access Tourism, professional training, employment, and research in Access Tourism, presentations on access, culture, and the environment, disabled students as access tourists, Access Tourism and technology, and Access Tourism rating, standardization, and labeling systems.  The Congress was backed by Fundacion ONCE, the largest disabilities NGO in Spain, and the European Network for Accessible Tourism.

 The main theme of the congress was cultural tourism and was therefore aimed at professionals in the cultural sector wishing to enhance their participation in the tourism sector.  It had as a main goal that of establishing Universal Accessibility and Design for All, with which to promote inclusion of people with disabilities.  One of the main goals of Fundación ONCE is to ensure the full inclusion of disabled people in all areas of society. Making access to cultural tourism easier for disabled people helps them get to know the culture of the place they are visiting. On the other hand, incorporating Design for All into the new cultural tourism offerings makes more people aware of the importance of Design for All and Universal Accessibility.

A timely presentation was that given by Juan Aljama from the Accessibility Commission of Spain, who spoke about the work of the Group of World Heritage Cities of Spain (Accessible Heritage and Tourism section).  The Group was created to preserve and promote thirteen historic cities in Spain, and the access section is involved with assessing and improving access for locals and visitors with disabilities.  One of the thirteen cities – Avila – this week won the first-ever European Commission award for improving access for the disabled (The Access City Award 2011)

In a first for New Zealand, The New Zealand Tourism Research Institute at Auckland University of Technology has created a Research Programme Area in Access Tourism headed by Sandra Rhodda. 

 NZTRI’s Access Tourism programme aims to research and develop Access Tourism in NZ.  Access Tourism is tourism, travel, and hospitality for people with permanent or temporary disabilities, seniors, parents with strollers, and any person with a need for improved access.  This is an interdisciplinary research area that addresses the challenges and opportunities presented by Access Tourism.

The Access Tourist already represents a sizeable proportion of our tourism markets.  Between 17 and 20% of the population in our main markets already report a disability, and this percentage is bound to grow because the large Baby Boomer cohort is ageing and disability increases with age.  Those aged 45 or older already comprise almost half of our domestic and international visitors (and over 70% of our cruise ship visitors).

Areas of interest include:

• Research and policy development
• Understanding the Access Tourism market
• Awareness promotion and education of government and industry to the potential of Access Tourism
• Access Tourism product development and marketing in NZ
• Promotion of cooperation in a developing Access Tourism sector, including in the public and private sector
• Access Tourist satisfaction and motivation
• Economic and social benefits of Access Tourism
• Access Tourism as an important factor in tourism sustainability
• Relationship of Access tourism to Health, Wellness, and Medical Tourism
• Opportunities for Access Tourism legacy development around major events such as RWC2011