Access Tourism NZ TOURISM FOR PEOPLE WITH DISABILITIES, SENIORS, AND AGEING BOOMERS IN NEW ZEALAND AND WORLDWIDE

UK.  The South West Tourism Excellence Awards 2011/12 have praised Bath & North East Somerset Council’s Roman Baths for the improved accessibility it offers all visitors.  The Romans Baths received a “Highly Commended” in the Access for All award section in recognition of recent development work carried out by the Council to improve access in a wide range of ways and make the experience more inclusive for people with a wide range of different needs.  Councillor Cherry Beath (Lib-Dem,  Combe Down), Cabinet Member for Sustainable Development, said: “Physical
accessibility at the Roman Baths has improved enormously with the installation of two new lifts and a complete change in the way visitors can move around the site. Understanding of the ancient monument has also become easier for our visitors with new displays and improved interpretation throughout, and there is a wide range of visual prompts that everyone can recognise.

“We have new interpretation for blind and visually impaired visitors with many tactile exhibits. There is a dedicated British Sign Language audio guide, an inclusive personal audio guide in eight languages, and tours for English and French speaking children. The judges even took into account the inclusive way that we cater for people with particular dietary needs in the Pump Room restaurant.”

The Global Disability Rights Library (GDRL) – on which Access Tourism New Zealand has a link – now provides more content than ever. There are now nine information portals which provide materials on topics relevant to the needs of Disabilities Organizations, government officials, professionals, grassroots advocates, and others working to improve the lives of people with disabilities. An on-line version of the library is available. An off-line version is also stored inside eGranary Digital Libraries for delivery to developing countries where Internet access is limited. The GDRL team is now no longer accepting applications to receive an off-line eGranary for 2012. However, organizations interested in receiving notification of future opportunities can submit their full contact information here. The GDRL project is a joint initiative of the U.S. international Council on Disabilities and the University of Iowa WiderNet Project supported by the U.S. Agency for International Development.

Auckland Art Gallery facade

Arts organisations and venues will become more accessible this year, thanks to eleven grants provided by Creative New Zealand for projects ranging from sign language interpretations and audio described performances to music workshops and concerts for disabled children and young adults, and improved physical access.   Totalling $30,000, the one-off grants are being administered by Arts Access Aotearoa through its Arts For All Programme, a partnership programme with Creative New Zealand. The aim of this programme is to work with representatives from the disability sector to support arts organisations, venues and producers to improve their access.

Stephen Wainwright, Chief Executive, Creative New Zealand said the one-off grants signal the organisation’s commitment to supporting improved access to arts events for all New Zealanders. They complement the publication Arts for All: opening doors to disabled people and the annual Big ‘A’ Creative New Zealand Arts for All Award.  “It’s great to see the range of projects and the organisations’ enthusiasm to build new audiences by making performances, facilities and information more accessible to disabled people,” he said. “I look forward to seeing the long-term impact of this investment and of Arts Access Aotearoa’s Arts for All Programme.”

Richard Benge, Executive Director, Arts Access Aotearoa said the one-off grants build on the work being done through the Arts For All Programme. They have also prompted valuable discussions with the organisations.  “I am very pleased to see the level of commitment and creative ideas coming from the arts community to improve access for everyone wanting to engage in the arts,” he said.

The eleven grant recipients will also contribute their own funding to their projects.

The grants will go to

• Auckland Art Gallery Toi o Tāmaki to increase access to its programmes, provide disability awareness training for staff, and provide a series of signed talks about works in its collection in 2012

• Auckland Theatre Company to install ramps in its premises and make its website more accessible to people with a visual impairment

• Capital E National Theatre for Children to provide signed performances of three different works in its 2012 programme

• Chamber Music New Zealand to present a workshop and concert in the Wellington Town Hall for disabled children and young adults so they can experience live music up close, and interact with musicians and their instruments

• Fortune Theatre, Dunedin to establish best practice methodologies for audio-described performances and present six audio-described performances in 2012

• New Zealand Symphony Orchestra to increase the number of its performances to students in special needs schools in Auckland

• Pablos Art Studios, Wellington to provide staff training for its tutors, enhancing their engagement with those studio’s artists who have visual, hearing or communication impairments

• Q Theatre, Auckland to develop an accessibility policy and action plan, promote its access to a wide audience, and provide disability awareness training for staff, board and management

• Silo Theatre, Auckland to provide signed performances of Tribes by Nina Raine, an award-winning work about the politics of communication for hearing, hearing impaired and Deaf people

• Studio2, Dunedin to display artwork by disabled artists to professional standards in its exhibition space

• Theatre Royal Charitable Trust, Christchurch to contribute to the installation of an accessible lift, catering for disabled patrons, to the upper levels of the Isaac Theatre Royal.

Source: Arts Access Aotearoa

M Shed – which is part of Bristol Museums, Galleries & Archives’ – has recently received a Jodi Mattes Trust Award for Digital Access onsite. Their PenFriend Audio Access project was announced as the winner at a recent presentation held at Swansea’s National Waterfront Museum.   The awards relate to the use of existing technology to widen access to information and collections for disabled people more effectively and creatively. They were first given in the UK in 2003, European Year of Disabled People, and celebrate practice that inspires locally, nationally or  internationally.  The  PenFriends are audio devices that allow visitors to M Shed to listen to stories in the galleries. This is a free service provided to visually impaired visitors and to those who have difficulty reading print.

The M Shed also has induction loops, many of the films and video clips have subtitles, and transcripts of oral histories are available.  There are tactile maps of Bristol and other exhibits that can be handled in many of the galleries.

M Shed, as part of Bristol City Council, is committed to providing a website that’s accessible to the widest possible audience, regardless of technology or ability.  They endeavour to conform to level Double-A of the World Wide Web Consortium (W3C) Web Content Accessibility Guidelines 2.0 by building their site using code compliant with the W3C standard. The technical wording for this is “valid HTML 4.01 Strict for structure and CSS for presentation”.  The site displays correctly in current browsers – though there may be visual differences. Using HTML/CSS standards means any future browsers will also display content correctly.   Whenever possible, links are written to make sense out of context.   The text size on the site is specified in a way that makes it resizable in any browser, should it be too small to read comfortably.  M Shed is keen to hear from people if anything needs changing to make their site more  accessible.

M Shed is fully accessible to wheelchair users, and wheelchairs can be borrowed. There is level access throughout and lifts to all floors. These lifts are designated fire evacuation lifts and have tactile buttons and spoken floor announcements.   There are accessible parking spaces and a drop-off/ pick up point for taxis, accessible toilets, changing facilities, and café.  Visitor Services staff have been trained to meet the needs of all visitors. For further information about accessible facilities contact the museum on 0117 35 26600 or emailinformation@mshed.org

Two new text books on accessible tourism are available through the European Network for Accessible Tourism (ENAT) from Channel View Publications. The first is “Concepts and Issues” (eds: Dimitrios Buhalis and Simon Darcy), which sets out to  explore and document the current theoretical approaches, foundations and issues  in the study of accessible tourism.  Professor Nigel Morgan, The Welsh Centre for Tourism Research states that this volume harnesses “the best conceptual  developments on the topic” and that it will “take accessible tourism and universal design debates into the mainstream of academic enquiryand industry practice“

The second volume is “Best Practice in Accessible Tourism” (eds: Buhalis, Darcy, and Ivor Ambrose).  It focuses on policy and best practice in accessible tourism, reflecting the ”state-of -the-art” as expressed in a selection of international chapters. It brings together global expertise in planning, design and management to inform and stimulate providers of travel, transport, accommodation, leisure and tourism services to serve guests with disabilities, seniors and the wider markets that require good accessibility. Chapter 8, written by Sandra Rhodda of Access Tourism New Zealand, describes the state of accessible tourism in this country.  Overall, the book gives ample evidence that accessible tourism organisations and destinations can expand their target markets as well as improve the quality of their service offering, leading to greater customer satisfaction, loyalty and expansion of business.  Accessible tourism is not only about providing access to people with disabilities but also it addresses the creation of universally designed environments that can support people that may have temporary disabilities, families with young children, the ever increasing ageing population as well as creating a safer environment for employees to work. Noel Scott, of the University of Queensland, Australia says that the volume “provides a ‘state-of-the-art” assessment of both theory and practice. This book establishes a new field of study and provides the benchmark against which other contributions will be judged. It integrates the work of all the key players and should be read by academics, managers and government policy makers.”

All businesses with at least one employee will have to comply with the Accessibility for Ontarians with Disabilities Act (AODA) Customer Service Standard taking effect Jan. 1, 2012.  These standards include that businesses are required to develop customer service policies and procedures for serving people with disabilities, to train staff, volunteers and contractors to serve customers with disabilities, to let customers with disabilities provide feedback on how their needs have been met, to establish a process to respond and take action on any complaints, and to have a policy on allowing people to use their own assistive devices (e.g. screen reader, cane, wheelchair, oxygen tank) to access a business’s goods and services.  This includes accessing menus.  Currently, some Ontarian restaurants offer large print or braille menus, but these can not be read by all guests. Others put their menus on their website as a PDF, which is not accessible to some.  Still others put menus on Facebook – which is notoriously inaccessible.

Now Ontarian restaurateurs have a solution in aMENU  -  a website developed by Geoff Collis – where  participating restaurants can place their menus so that they can be accessed not only with assistive devices but portable devices such as mobile phones.   Menus can be read before a patron even gets to an establishment.   The first restaurant leading the way by participating is Macy’s Diner & Delicatessen in Mississauga.  Owner Hans Sturzenbecher has clearly understood the need for accessibility in all aspects of his establishment and is the first restaurateur to have his Accessible Menu coded for accessibility on the site so that Ontarians, visitors, or tourists with disabilities and mobile phone users can access it with their assistive devices either at home, en route or in the restaurant itself. Restaurant owners wishing to know more about this initiative can access a presentation, contact aMenu, or visit their website.

The Prince Edward Island (Canada) government is encouraging tourism operators in the province to verify whether their properties are fully accessible for people with disabilities. The program is being launched to ensure when people with disabilities go to businesses and accommodations, they get what they’re expecting. The province has signed on with Quality Tourism Services (QTS) which will independently verify the accessibility of a property. QTS already evaluates hotels and B&Bs on the Island for a number of factors, and will now inspect properties and give them a designation, either limited or full mobile accessible, and sight or hearing accessible. “We’re hoping over time that is going to give a level of comfort to the consumers that are going into that business,” said Roxanne Carmody of QTS, “that if they’re looking for a symbol, they’re looking for the Access Advisor symbol, because they know it has been verified and they know what they’re getting.”

Any operator who wants to have an accessibility symbol in the Tourism Guide will have to go through QTS and get evaluated. For the 2012 guide, while the inspections are being done, all operations that now say they are accessible will get a partial accessibility symbol. In 2013, only ones that have gone through the Access Advisor program will be able to have those symbols in the guide. Tourism PEI said it’s important for people to get what they are expecting. QTS has already evaluated more than 100 Island properties.

The Royal New Zealand Foundation of the Blind (RNZFB) has produced a set of best practice guidelines on accessible signage with the aim of ensuring signs are readable by blind, partially sighted and deafblind people. The RNZFB is New Zealand’s main provider of essential sight-loss services, and has 11,500 members.   Every year approximately 1,200 New Zealanders become RNZFB members after experiencing serious sight loss.

The new Accessible Signage Guidelines are free to download through the RNZFB website at www.rnzfb.org.nz/signage    The guidelines provide advice and technical specifications to make sure that clear print and braille signage is accessible. RNZFB Braille Awareness Consultant, Lisette Wesseling, says an accessible sign is one that everybody can read and understand, whether they read using sight or touch. “At least 11,500 New Zealanders are blind or partially sighted and 125,000 people over 40 have significant sight loss that affects their ability to do everyday tasks like reading.

“The information conveyed by signage is important to all people, including those with sight loss. Accessible signage says ‘you are welcome!’ and ‘your safety matters’,” Lisette says.  Any sign relating to a specific function or location in a building should have an accessible sign, for example a Fire Exit, or a Lift. Signs containing a large amount of information such as menus, patient advice, and detailed operating instructions may be more effective if produced in a braille or large print booklet.

It is hoped that business and organisations take advantage of these guidelines to help improve the accessibility of their environments.

What is an accessible sign?

An accessible sign is one that everybody can read and understand, whether they read using sight or touch. An accessible sign should have:

• High colour-contrasted print which is raised on the surface of the sign plate.
• The equivalent text in braille.
• Raised pictures (pictograms) if appropriate. Pictograms alone are not enough, always use text as well.

For more information, continue reading……………

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In June, the World Report on Disability was launched by the World Health Organization and the World Bank.  A key recommendation of the World report is the need to strengthen research. Without evidence on issues such as need and unmet need, costs, impact of services, quality of life of people with disabilities, it is difficult to make recommendations for how countries can respond more effectively. Two forthcoming research symposia will contribute to addressing gaps in research on health and rehabilitation. London School of Hygiene and Tropical Medicine and University of Sydney are each sponsoring a meeting where new and established researchers will present their research.

The best papers from these meetings will be published in the journal Disability and Rehabilitation, one year after publication of the World report, together with other contributions which focus on the contribution of rehabilitation to improving the lives of persons with disabilities. Papers are encouraged which relate to recommendations for research outlined in the report:

• The impact of environmental factors (policies, physical environment, attitudes) on disability and how to measure it; 
• Measures of the lived experience of people with disabilities, including measures on quality of life and well-being;
• What works in overcoming service barriers in different contexts;
• Effectiveness and outcomes of rehabilitation services and programmes; and 
• The cost–effectiveness of public spending on disability programmes.

Wherever possible, research should reflect the active participation of persons with disabilities themselves, and be grounded in the human rights approach. The deadline for submissions of papers is January 15 2012.  Given that journals such as Disability and Society, Alter and the Scandinavian Journal of Disability Research have also welcomed the publication of the World report, there is scope for publication of research relevant to other issues – support services, accessibility, education, employment – in other journals.

Scandic – which has 160 hotels in the Nordic region and Northern Europe - is intensifying its successful focus on improved accessibility for visitors with disabilities and others who want improved access. This year, over 100 new accessible rooms will be added to the portfolio and 2012 there will be even more to meet the large and growing demand. Scandic says that more and more companies and organisations seek rooms and conference facilities that are accessible to all.  At the same time the numbers of older, active private travellers who are  attracted by improved accessibility are increasing. Improving accessibility has proven to be a commercial success for Scandic.

Design for All is a key concept in Scandic’s accessibility work. The aim is for the accessible rooms to  be just as well designed as any other room, with practical solutions that go  almost unnoticed, except by those who really need them. Hooks, mirrors and keyholes at two heights are appreciated by children, short adults and those who use a wheelchair. Height-adjustable beds and extra spacious bathrooms are  popular with all guests. Scandic’s comprehensive 110-point accessibility  programme covers everything from team member training to adapted rooms and extensive, detailed accessibility information on every hotel’s website.

“When we take over a hotel, we implement our accessibility programme within three months and, after just one year, we tend to notice more bookings from private guests and from companies and organisations, thanks to our accessibility work. This gives us a clear competitive advantage and, as well as showing our commitment to social responsibility, we see major commercial benefits in being accessible to all,” says  Magnus Berglund, Disability Ambassador at Scandic.

New hotels require smart new solutions

A lowered reception desk for wheelchair users, a guest computer in the lobby at a comfortable height for a wheelchair and an ordinary chair, a hearing loop in conference facilities and reception, and vibrating alarm clocks that also hear the fire alarms are just some examples of smart solutions that ensure a high level of accessibility.   Scandic’s accessibility work remains a core focus in  its new and refurbished hotels, with numerous examples of best practice. To read about these, continue here:

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Tokyo’s Haneda Airport (Tokyo Internatinal Airport) has a new runway and new international terminal that “makes life easy for international travellers”.   So writes Harriet Baskas  in USA Today.   “And in a country well-known for its high-tech toilets, the airport restrooms are a delight. “Ordinary toilets” have wider-than-normal doorways to accommodate both manual wheelchair users and travelers with suitcases. Folding doors on the cubicles include a sign indicating whether or not there’s a baby seat and a fold-down changing table inside. And inside each women’s restroom area there’s a urinal for use by small boys.

“Multipurpose toilets” are exactly that. To accommodate wheelchair users, passengers traveling with babies or toddlers, elderly people and anyone with a special need, there are restrooms equipped with just about every facility imaginable. In addition to diaper changing tables, beds and changing platforms, these restrooms have ostomate showers and sinks, layouts that allow for right or left hand transfers to the toilet seat from a wheelchair and an emergency button linked directly to the airport’s Disaster Control Center.

And, in what is certainly an airport first, there’s even a restroom designed specifically for use by service dogs.”

Amongst the improvements making this airport highly accessible to all, including people with disabilities, is excellent information on the airport website about access.

The National Geographic Travel Magazine next issue will feature an article on Access Travel.  The magazine interviewed American accessible tourism guru and author of the Rolling Rains Report Scott Rains for the piece. Rains has noticed something interesting lately. Other folks his age—the 76 million Americans born between 1946 and 1964 and referred to as the baby boom generation—have begun to understand the need for accessible tourism.  Boomers are joining forces with disability and senior groups to add muscle to the cause of increased accessibility in travel. “They don’t intend to let hip replacements and insulin shots stop them from traveling,” says Rains. “Nor will they be pandered to, stigmatized, or written off.”  Rains and his generation are part of a growing movement. Retiring 60-somethings have more time to travel, which has increased demand for accessible accommodations. The nonprofit Society for Accessible Travel and Hospitality (SATH), made up mostly of travel agencies catering to those with mobility issues, saw members’ hotel bookings more than double last year, a remarkable feat in a recession.

For more, continue reading…………………….

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A museum of impressive proportions, both in physical exhibition area and in holdings, the Lille Metropole Museum of Modern, Contemporary and Outsider Art (LaM) is also practiced in the art of accessibility.  The museum which displays over 4500 artworks including pieces by Picasso, Miro, and Klee as well as contemporary and outsider art, and has an extraordinary sculpture garden. It closed for renovations in 2006. When it reopened with its new name and its expanded buildings in September 2010, the curators were delighted with a new “high-tech” feature called “Tag My LaM” — a new technology for visitors’ use on their smartphones. The museum project, undertaken with IBM and Urbilog, enables visitors to stroll through the museum’s sculpture park and hear information in the language of their choice about the closest nearby sculpture on their smartphones. For visually impaired visitors, an audio version of the information is also available. Further increasing the usefulness of Tag My LaM to both visitors and curators, it can receive visitors’ real-time feedback.

It makes sense that a museum showcasing modern art would embrace an innovative technology such as Tag My LaM. According to an IDG study, smartphones are taking Europe by storm. The analysts looked at almost 14,000 users in 16 countries (over 11,000 in Europe). The study showed:

• More than two-thirds of respondents said that they have a smartphone for either work or personal use.
• 70% browse the Internet regularly
• A similar percentage use mobile applications.

Kudos to LaM.  Now, if only they would make their website accessible…………..

Recently, Tourism New Zealand launched its new-look New Zealand Travel website that is the official site for Tourism New Zealand (TNZ).  TNZ is the official organization responsible for marketing New Zealand to the world as a tourist destination.  However, the site is not very user-friendly for people with disabilities. Here Chris Lona, of CL Design, demonstrates how the site could look if access issues were taken into consideration.

While the existing official Tourism New Zealand site engages visitors with imagery and contains lots of “content”, it does not engage all of the senses for people, or accommodate people with disabilities the way it could.  On the NZ site, a visually disabled person would probably need to use their screen reader to access the text information. A baby boomer might need a magnifying glass to be able to read the text.   Most screen readers sound like a computer voice and are OK for accessing data but don’t provide the best experience. People don’t talk to people that way. Seems like a fabulous destination like NZ would be promoted in the most engaging and human way possible.

To show what could be achieved in making the website accessible to all, we created a demonstration New Zealand tourism multimedia presentation (demonstration only)to show how people with disabilities (and everyone else) can start their NZ experience when they go to our online presentation rather than when they arrive in NZ.   With our presentation they can hear the human voice describing a full screen scene with pleasant background music and see large type as another option.

On the NZ site a hearing impaired person would probably have no problem reading all of the information. If they go to the YouTube channel or watch videos on the site however there is no closed captioning of those videos.

With our presentation they can see the motion of the full screen presentation with access to large type with the click of a mouse, the press of the “T” key on their keyboard or the press of a large button on a mobile/touch screen device. Our presentation provides the interactivity and information of a website with the motion and audio of video.

The NZ site is geared, as most sites are, toward visitors using a mouse to navigate the site with standard buttons and links.   A physically disabled person may have difficulties using a mouse. Our presentations can be accessed with a mouse but also with the press of a key on a keyboard or one of our large buttons on a touch screen.

A person with ADD or Dyslexia has problems with focus. Too much copy and text can make it difficult for them to absorb information. Our human audio narrated presentations eliminate the need for a lot of copy and text that has to be read by people with these types of disabilities.

The NZ site is designed for browser viewing and is severely compromised on a mobile device. To remedy this, there would need to be a separate application developed or a site redesign with mobile in mind.  Our presentations function exactly the same on a mobile device as they do on a browser (device must be Flash enabled).   No need for a separate application.

While the NZ site is innovative in certain ways it is very typical, and even trendy, in others.   The larger images are the best feature; a place as beautiful as NZ should certainly be highlighted in this way.   However there is obvious pandering to the popularity of the social media trend. The option for people to write and edit articles is an obvious attempt to leverage this trend. Not surprisingly – as of July 2011 – there are seemingly few visitor articles and no “likes” or “tweets”. If a visitor does wish to write an article they are required to set up an account and/or login in order to do so. In doing this social media functionality they are contributing to the over- abundance and glut of data instead of focusing on making the visitor’s experience the best it can possibly be. It does not seem likely that someone considering a trip or move to NZ would come to this site, create an account and write an article. Time will tell…

Our presentations can include social media “gadgets” below the presentation so that people can leave comments and provide their input if desired.

The best of both worlds would be an augmentation of the NZ site with the types of presentations we create. Any of the existing presentations on the NZ site could be augmented with “click here for the access-enhanced, multimedia version of this presentation”. When clicked the visitor would be taken to one of our presentations for that topic. Able-bodied visitors would still be able to use all of the features of the existing NZ site and the disabled and baby boomers could access the benefits of a more experiential version of the page. It would also show a definitive commitment by NZ to accommodating people with disabilities and older visitors.

For information about Chris and how to contact him, and for other demonstrations, see here.

Knoxville, Tennessee is looking to improve information about access to restaurants in the area.  The Access Knoxville Project is a partnership between the University of Tennessee and the disAbility Resource Center, and trained volunteers to survey local restaurants using a survey form as a guide.  They looked to see how “friendly” restaurants are  to people with all types of disabilities, said Nathan Hulling, a disability advocate for DRC. The Access Knoxville survey has a standard rating system of Limited, Good, and Wow access, and so far, results are in for thirteen restaurants.   Restaurants get a letter from Hulling explaining their rating and sometimes uggesting changes.  Those with a Wow access rating receive an Accessibility Certificate, which they can display.

The Knoxville project is modelled after a similar program in Nashville, whose key  partners included Tennessee Disability Pathfinder, a project of the Vanderbilt Kennedy Center for Excellence in Developmental Disabilities which donated staff
time and office supplies. The Nashville Conventions and Visitors Bureau agreed
to post restaurant accessibility ratings on their website – so far there are 24 such
ratings. Since 2010, the project has xpanded its website to include accessibility-friendly information about hotels, transportation services, and entertainment attractions, in addition to restaurants.

The Taranaki Daily News reports that New Plymouth art gallery The Govett-Brewster received the Arts Access Aotearoa Big ‘A’ Creative New Zealand Arts For All Award in recognition of its continuing work with disabled people to better understand their needs in relation to art appreciation. The gallery provides:

• audio and touch tours
• large-print exhibition guides for the blind and partially-sighted
• sound enhancer to make audio clearer for the hearing impaired
• sign-language tours with an interpreter for the deaf
• easy access for those who are physically disabled
• disabled-friendly website
• Staff trained in disability awareness
• discussion forums with the disabled community

Gallery Director Rhana Devenport was thrilled with the award but said it was only the beginning.  ”It’s good that they recognise we’re making a sincere and genuine effort, but we know we’ve got a long journey ahead and lots of learning to do, it’s a continuing conversation with the disabled community,” she said.

In awarding the Govett-Brewster, the judges said: ” The Govett-Brewster Art Gallery’s commitment to accessibility is underpinned by the New Plymouth District Council’s Disability Strategy – an example of best practice that gave the Govett-Brewster the edge. This nomination was a fine example of an arts organisation developing its audience by increasing access, and we look forward to seeing the next steps on its journey to accessibility.”  Presenting the award at a ceremony in Parliament, Creative New Zealand Chief Executive Stephen Wainwright said, “engaging New Zealanders in the arts and ensuring they have access to great art experiences is a priority for us. This award sits at the heart of what Creative New Zealand wants to achieve”.  Creative New Zealand id the national arts development agency.

Guest blog: Chris Lona

Chris Lona of CL Design, visually disabled from a brain tumour 22 years ago, is designing and developing innovative web presentations that provide better accessibility to people with visual, audio and physical disabilities. Each site is a multimedia presentation that complies with and surpasses US standards for accessibility online.   No assistive technology such as a screen reader is required and each presentation provides innovative benefits for people with disabilities (and everyone else!). These include:

• Human voice narration and audio

• Audio menu for the blind and visually disabled

• Mouse, keyboard and touch screen controls

• Full screen view

• Large, optional text

• Augmentation, rather than replacement, of an existing web presence

This approach is creative and innovative because it incorporates the interactivity and information of a website with the motion and audio of video, all as a full-screen presentation with multiple controls (mouse, keyboard, touch screen). The presentations are transforming the tourism, travel, hospitality, leisure and healthcare industries by beginning a customer’s experience not when they arrive at their destination, but rather when they visit the organization’s website. This commitment to customers’ experiences begins to build loyalty from first contact and definitively differentiates organizations that use these presentations from others in their industry.

Lona started designing brands and websites after a brain tumour in his final year of Architecture school caused double vision and an ensuing auto-immune condition made it impractical for him to pursue a normal career. Now his intent is to create the “curb ramps of the internet”.

“When a person in a wheelchair comes to a curb, they’re not expected to bring their own ramp. Why should a visually disabled person, for example, be required to have a screen reader when they come to a website? Besides, have you ever heard the inhumane computer voice of a screen reader? People don’t speak to other people like that. Also a majority of sites these days look like they all used the same template for the design and then filled it with a lot of data for the search engines. I am trying to bring humanity and experiences to the web.” says Lona.

For samples of these online presentations, turn on your sound and visit:

www.cldesign.biz/resortriviera (hospitality)  and  www.sitellites.com/seattle (tourism/travel)

Contact: Chris Lona • Principal Designer • CL Design 425.462.7824  info@cldesignonline.com

The John F. Kennedy for the Performing Arts and partners are holding a conference on Leadership Exchange in Arts and Disability (LEAD) in August.  LEAD has been engaging cultural administrators from around the world in a conversation on accessibility, disability and inclusion for more than 10 years. Two days of conference are preceded by three days of relevant pre-conference workshops. The conference is aimed at cultural organizations such as museums, galleries, and theatres, and at state and local governments, universities and colleges and anyone involved in the arts with an interest in access for people with disabilities. It will consider a broad range of access topics, such as web accessibility, social media, captioning in theatres, the Americans with Disabilities Act, access evaluations, staff and volunteer training, effective access planning, effective communication for people who are blind/low vision, and/or deaf/hard of hearing, audio description, funding, grants, and much more.  LEAD is a professional network focused on expanding the breadth and scope of accessibility services and programming across the USA and around the world. The network:

• explores practical methods for implementing accessibility in cultural environments;
• communicates information about arts and accessibility, and;
• shares resources and knowledge among professionals in the field of accessibility.

 A variety of helpful tip sheets can be found here.

The USA National Federation of the Blind (NFB), the nation’s leading advocate for Internet access by blind Americans, has announced an agreement with Travelocity, one of the largest and most popular international online travel agencies, to make travelocity.com more accessible to the blind.  Under the agreement, Travelocity will make accessible by July 1, 2011, its home page and each initial Web page used for searching Flights, Hotels, Vacation Packages, Last Minute Packages, Cars and Rail, Cruises, and Activities, with the accessibility of the rest of the pages needed to complete a booking to follow soon after.  Travelocity has committed to make its entire Web site fully accessible to blind people by March 30, 2012. 

Dr. Marc Maurer, President of the National Federation of the Blind, said: “The Internet is a critical means of access to business, education, information, and entertainment in the twenty-first century, and the blind must have equal access if we are to be equal participants in society.  By making its popular online travel agency fully accessible to the blind, Travelocity is setting an example that should be followed by the entire online travel industry.  The National Federation of the Blind is pleased to have reached this important agreement with Travelocity, and we will continue to work tirelessly until the blind have equal access to the full range of products and services available to the public through the Internet and other information technologies.”

Nejib Ben-Khedher, Chief Operating Officer of Travelocity, said: “We are committed to providing our customers with the best service possible.  With that in mind, making our Web site accessible is of critical importance—all of our customers, including those who are blind, must be able to easily access our products and services.”

Pursuant to the agreement, Travelocity will develop a comprehensive accessibility program that will include the development of an accessibility guidelines manual, and the appointment of both an accessibility coordinator and an accessibility committee.  Additionally, Travelocity will continue to work with officials of the National Federation of the Blind to ensure that the Travelocity services remain accessible to the blind. Travelocity will submit its web site to the NFB Nonvisual Accessibility (NFB-NVA) Web Certification program, a rigorous procedure by which Web sites and applications that have made efforts to be accessible to the blind can be identified and recognized.  The NFB-NVA Web Certification program continuously monitors participating sites to ensure that they remain compliant with certification criteria.  If a site remains accessible, its certification is renewed on an annual or a version basis.  If accessibility issues arise, the National Federation of the Blind will work with the site developers to remedy them.

(NFB Press release)

Taupō District Council has released a new brochure designed to make it easier for people who have a mobility issue to get around and enjoy what the district has to offer.   The Taupō District Access Brochure is a joint venture between Taupō District Council and the Taupō Mobility Access Reference Group (TMARG). TMARG is a community group who meet regularly to look at access issues in our community on behalf of people with a range of restricted mobility, sight and hearing impairments.  

The brochure will inform community members and visitors to the district of accessible facilities, such as banks, ATMs, accommodation, dining, parking, public toilets, respite care and medical facilities.  The brochure will be available from Taupō district i-Site’s and respite/retirements homes, and will also be on the Taupō District Council website. 

The six month project involved auditing every public facility in the CBD of Taupō, Turangi and Mangakino, and giving a rating of poor, moderate or good. Accessible Taupo Project worker Lucinda Stone, together with TMARG member Chance Anderson – who has skills gained from his Barrier Free Audit training – took on the task of checking and rating the facilities.  Access Tourism NZ applauds the fact that assessments of facilities have been done independently.  “Too often in Access brochures, opertors such as accommodation owners rate their own facilities as accessible, when quit frankly, they have no idea of what true access is” said Sandra Rhodda of ATNZ.    ”Kudos to this council for going the extra mile and doing the job properly”.

Production of Taupō District Access Brochure is kindly supported by Lakeland Disability Support Trust.